MadeBy is a world-first initiative developed by RAD Australia with music licensing body OneMusic Australia.

At a time when the arts are under unprecedented pressure to survive and flourish, MadeBy celebrates the innovation of original works and highlights the business of music and dance, their artistic currency, and their interconnectivity.

The Competitions

Launched on 23 February 2021, MadeBy takes the form of staggered competitions. In Stage 1 initially, through their membership with OneMusic (APRA AMCOS), Australian composers were offered the opportunity to submit an original composition into a competition that was judged by a panel of leading industry peers.  This stage is now complete! The winning piece Regrowth by NSW Blue Mountains composer Emma Greenhill will now be featured from 17 May 2021 in a second competition for aspiring choreographers from within the RAD membership, who will be asked to create an original dance work in response to the music. Entries for Stage 2 will close on 24 August and these entries will be judged by an expert panel of judges.

The Collaboration

Along with cash prizes, each winner will then be given support to collaborate on a new work together. In a bid to nurture the careers of emerging artists and educate musicians and dancers on the creative process, OneMusic and the RAD have engaged professional artists in both fields who will mentor the winning artists throughout their collaboration. The winning composer and winning choreographer will have 12 months from 4 October 2021 until 4 October 2022 to work together on a brand new music and dance work that will premiere late in 2022.

The Judges

Judging the music competition are:

Chair: Cameron Lam, APRA AMCOS

  • Cat Hope – composer and Professor of Composition at Monash University, Melbourne
  • James Ledger – composer and Chair of Composition at the Conservatorium of Music at the University of Western Australia
  • Alice Topp – choreographer and dancer
  • Gerard Charles – RAD Artistic Director
  • Grant Kennedy – RAD Australia Musical Accompanist

Judging the choreographic competition are:

Chair: Nichola Hall, RAD Australia

  • David McAllister AC – RAD Vice President and former Artistic Director of The Australian Ballet
  • Alice Topp – choreographer and dancer
  • Gerard Charles – RAD Artistic Director
  • Cat Hope – composer and performer and mentor
  • The winning composer Emma Greenhill

Meet the winning Composer


One of Sydney’s emerging composers, Emma Greenhill has performed her own compositions twice at the Sydney Opera House and had her works performed by a number of Sydney-based chamber groups both in Australia and internationally. In 2017 she completed a Bachelor of Music (composition) at the Sydney Conservatorium and won the Watermark composition prize, offered by the Kendall National Competition. Sydney Conservatorium. Emma has taught composition from primary level – HSC, both privately and at Barker College.

A composer, violinist, arranger and educator, Greenhill is passionate about expanding the Australian musical landscape with more idiomatic and accessible pieces.

“I’m really looking forward to seeing my piece be interpreted by another artist through a different art form. It will also be very exciting to see my music literally come to life through the physical act of dance, something I have always been very captivated by since childhood.

“The opportunity to then collaborate with the chosen choreographer and give them the opportunity to tell a story of their own through my music, will be an absolute privilege I am thrilled to undertake,” said Greenhill.

Listen to Regrowth here.

The shortlisted composers

In recognition of the high calibre of work submitted by composers, a shortlist of 15 recommended musical works from entrants will be provided to RAD teachers shortly for inclusion in their teaching.

MadeBy shortlist compositions:
Click on the artists below to hear their entry.

Andrew Ball – Arachnodactyl Timelapse (QLD)
Andrew Lang – False Departures (Solo Piano Edit) (SA)
Alice Humphries – Nautical Twilight (WA)
Connor D’Netto – Blind (QLD)
Dr Daniel BlinkhornfrostbYte – liten snø trinn: No. 3 Gavotte  (NSW)
Eddy Kremen – Everybody Dies, not everybody lives (NSW)
Emily Harrison – In Search of Lost Time (NSW)
Larissa Agosti – Spekta (VIC)
Matthew Sievers – The Sound of the World Coming Apart (VIC)
Natasha Lin – Momentus – (VIC)
Nicholas Marks – Desaparecido (VIC)
Robbie Melville – Junkyard (VIC)
Ruth Roshan – La Malinconia (VIC)
Sue-Anne Hsuyin Tan – ˈwɔː kɪŋ (VIC)
Xani Kolac – Miniatures 1 and 2 (VIC)

“The overwhelming response to this initiative is not only proof of a vibrant and diverse composing community eager to collaborate with the dance sector, but also shows how vital these opportunities are for music creators in the current climate,” said Cameron Lam, APRA AMCOS Art Music Specialist.

“APRA AMCOS congratulates Emma and the 15 shortlist composers whose work will be shared widely with the Royal Academy of Dance. Thanks to all involved in making this happen.”

The Mentors

To inspire, guide and nurture MadeBy’s winning composer and choreographer throughout their collaboration together RAD Australia and One Music have engaged two wonderful professionals to act as mentors.

Composer Mentor – Cat Hope

Cat Hope is a composer and performer who creates music that is conceptually driven, in animated graphic scores formats for acoustic/electronic combinations and improvisations. Her music is characterised by aleatoric elements, drone, noise, and glissandi as well as an ongoing fascination with low-frequency sound that threads through all her creative work. Her works have been performed at festivals internationally, broadcast on Australian, German, Italian, French, and Austrian radio, and recordings of her works are published internationally. She maintains a collaborative practice that sees her work with dance, theatre, film, and installation. Cat is a represented composer with the Australian Music Centre, and her music is published by Material Press. Her first opera, Speechless, won the Best New Dramatic work in the 2020 Art Music Awards.

Choreographic Mentor Alice Topp

Alice Topp was born and raised in Bendigo and started dancing at the age of four. After two years with Royal New Zealand Ballet, she joined The Australian Ballet in 2007.

Her passion for choreography began when she created her first work, Trace, for the 2010 season of Bodytorque, The Australian Ballet company’s choreographic showcase. From 2011 to 2014, she made three further works for the Bodytorque seasons; in 2016 she choreographed Little Atlas, which appeared in the company’s mainstage program Symphony in C in both 2016 and 2017. In 2018 her work Aurum, which was created with the support of a Rudolf Nureyev Prize for New Dance, had its world premiere as part of The Australian Ballet’s Verve program. It was her first main stage one-act work and had its international debut the following year at New York’s leading contemporary dance venue, The Joyce Theater.

In 2019, Alice and the creative team won a Helpmann Award for Best Ballet for Aurum and Alice was also nominated for an Australian Dance Award for Outstanding Achievement in Choreography for the same work. She has been nominated for a Green Room Award (Little Atlas, 2017) and for three Australian Dance Awards (Aurum, 2018, Same Vein, 2014, Trace, 2010). She has choreographed music videos for artists including Megan Washington, LANKS and Ben Folds, and has been invited to create works for Houston Ballet II and Queensland Ballet. In 2018, Alice was appointed one of The Australian Ballet’s Resident Choreographers. She was invited to spend a month with Studio Wayne McGregor in the UK in 2019, creating a piece for The Grange Festival. The duet she created on the company, Clay, went on to form a larger work, Logos, for the Australian Ballet’s Volt season alongside two McGregor works, premiering in March 2020. The year also saw the Royal New Zealand Ballet restage her work Aurum.

Read Alice’s top tips for choreographers here.

To Enter

The composer competition opened on Wednesday 24 February.Find out more about the terms and conditions here. Entries closed Wednesday 17 March with Emma Greenhill and her work Regrowth chosen as the winning entry.

Entries for the Choreographic Competition

Entries for the Choreographic Competition open on Monday 17 May 2021 at 9am and close on Tuesday 24 August 2021 at 5pm.

Eligibility Criteria:

  • You must be an active member of the Royal Academy of Dance and resident in Australia. The competition is open to all membership categories.
  • You must be 15 years of age or older at the time of the closing date and of non-professional choreographer status – i.e. are not engaged and paid to choreograph for individuals, dance companies and groups or competitions/eisteddfods (other than for groups/students in your own studio/school). If you are under 18 years of age you will require parent or guardian consent to participate.
  • You do not have to perform the choreography yourself but where a separate performer/s is engaged you must have their consent to film and enter them into this competition. If the performer is under 18 years of age you will require parent or guardian consent for the performer to participate.

Important information for entries

Before completing your entry please download and read the following:

To download the music

To download Regrowth by Emma Greenhill, the official MadeBy winning composition please login to the Members’ Area here and see the RAD Australia Events Resources section at the bottom of the page. Please note this music is only available to MadeBy entrants and should not be used for any other purposes for the duration of the competition (until 4 October 2021). Should you wish to use this music beyond this period please contact OneMusic Australia to discuss your licensing options.

Entries

Entries should be made via TryBooking. Please ensure you have prepared a secure video link to your submission and a written summary describing your work and how you developed the work – i.e. response to music, inspiration, theme or story, approach to movement etc.

Accompanying your entry you should complete the Photography and Recording/Filming Permission Form. This form will need to be completed by the Choreographer (or a parent/guardian if the Choreographer is under 18 years of age) and signed by any/all Performers (or the parent/guardian if the Performer is under 18 years of age) in the work.  This form should be emailed to marketing@rad.org.au. Your completed form must be emailed to marketing@rad.org.au on the date of entry. PLEASE NOTE: If your form is not received by the closing date of 5pm on 24 August, your entry will be incomplete and inadmissible.

 

For more information

Contact:Nichola Hall
National Marketing and Communications Manager RAD Australia
T: 0426 973 266

 

Read more on the One Music website here

Who are OneMusic?

In the eyes of the law, music played at home is different to music played in a business.

If you use music protected by copyright in any way at your dance school you’ll typically need permission from the copyright owners or someone they have authorised to represent them.

In our country, OneMusic Australia owns (or represents the rights to use) virtually any commercially-released music from anywhere around the world. OneMusic issues licences so you can go ahead and use their music. That’s millions of the world’s most popular songs.

The money goes back to the music creators.

OneMusic does not licence songs set to video/videos with a song. This is called a syncronisation (sync). The permission for syncs is granted only by the record label and the publishers.